Widespread homages have been shared for the legendary Bahram Beyzai, a colossus of Iranian cinema and theatre, who passed away aged 87 while residing in the United States.
The headlines of publications in Iran lament his loss, with opposition voices and those who look back fondly on the pre-revolution period also paying homage to Beyzai.
"This loss is an immense tragedy for the art and culture of our country," said Prince Reza Pahlavi, the exiled son of the last Shah of Iran.
Although Beyzai's later films were banned in the 1980s by the theocratic government, a number of prominent officials in the current government have also paid tribute his contribution to Persian arts.
Several of the current crop of Iranian filmmakers have acknowledged their debt to him. Award-winning director Jaafar Panahi noted that Beyzai taught them "the way to resist oblivion."
Beyzai avoided overtly political content in his work, both as a playwright and a film director, and always said he tried not to deal in overt messages.
But his work over many decades places archetypal characters in conflict with authoritarian religious and political systems.
From a family of celebrated poets, Beyzai was steeped in the deepest traditions of Persian culture from birth.
He first found fame as a theater writer, drawing on Persian legend and ritual.
A devotee of cinema, he transitioned to making films in the 1970s.
He gained acclaim as one of the pivotal artists in the groundbreaking movement of Iranian cinema.
His most fruitful era spanned the time of the Shah and then the revolutionary government that deposed himāwith each regime ever ready to detect subtext that could be interpreted as criticism.
"Beyzai did not choose the path of least resistance. He endured years of exclusion, imposed silence, and exile, but he did not give up his language and his convictions," stated Jaafar Panahi in his tribute.
A few years after the Iranian Revolution, he produced what many regard as his magnum opus, Bashu, the Little Stranger, about a young child who tries to find shelter from the devastating conflict.
It was banned in Iranāas were other films he made in that timeābut later chosen by critics as the best Iranian film of all time.
The film was screened in a newly remastered print at this year's Venice Film Festival, winning an award for best film in the heritage category.
Beyzai ultimately departed Iran in 2010 and lived out his final days in the US, where he lectured on Iranian culture.
Although he went into exile, his wife, the actress Shamsai, said just hearing the word "Iran" would still make him emotionalāand he continued to hope for a renewed spirit and tomorrow for his native land.
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